The Belgian ZERO artist Jef Verheyen (1932-1984) became known as the painter of light streams and colour spectra. He experimented not only with light, but also with movement and the invisible as means to evoke natural mechanisms and to reveal universal interrelationships between human beings and the surrounding world. He used geometric principles – his passion for geometry was born out of his interest in mathematics and (Greek) philosophy – as the basis for harmony. Verheyen never gave up on traditional media and materials such as the canvas, paint, and brushes to search for the essence of our nature.
In the Musée Guimet, in Paris, Verheyen and Dani
Franque particularly admire the traditional Chinese
monochrome ceramics and paintings. Verheyen
explains: ‘My orientation towards the inner and to
Chinese art comes from ceramics and porcelain, of
which the monochromes are the high point. Both in
my ceramics and in my paintings I tried to achieve
a kind of essence that is beyond the formal.’