The Belgian ZERO artist Jef Verheyen (1932-1984) became known as the painter of light streams and colour spectra. He experimented not only with light, but also with movement and the invisible as means to evoke natural mechanisms and to reveal universal interrelationships between human beings and the surrounding world. He used geometric principles – his passion for geometry was born out of his interest in mathematics and (Greek) philosophy – as the basis for harmony. Verheyen never gave up on traditional media and materials such as the canvas, paint, and brushes to search for the essence of our nature. 

Jef Verheyen

722 Weer-spiegelingen (ed. 120), 1979
Multiple , 43 x 31 cm
Linnen box with bindings and 4 serigraphs

Weer-spiegelingen consists of a turquoise linen sliding box containing the essay Weer-spiegelingen  in the handwriting of Jef Verheyen, printed on bounded paper (29.5 x 42 cm). The essay is preceded by an introduction by Ivo Michiels and followed by a French translation by Henri- Floris Jespers. The set includes 4 original serigraphs (in gray shades) by Jef Verheyen, numbered and signed by hand by the artist, and with dry stamp.

The edition consists of 120 numbered and signed copies, and 15 artist's proofs. 
Price was 6,700 BF. 

Lay-out: H. Binneweg & Nic van Bruggen
Publisher: & Vondel

Serigraphs: 23,5 x 23,5 cm
Text: 42 x 29,5 cm

On the occasion of this edition, a personalised wine bottle was presented too.

The essay is based on two (French) texts, written by Verheyen in Provence, July 1979